The auctioneer has begun
to speak in tongues,
in note-perfect Aramaic:
“I know this is a special car
but I would like
just for a moment
to stop for a drink of water”
but he speaks too quickly
for them to understand.
The auctioneer has begun
to speak in tongues,
in note-perfect Aramaic:
“I know this is a special car
but I would like
just for a moment
to stop for a drink of water”
but he speaks too quickly
for them to understand.
You are in the wet heart of winter.
Burn these doubts in piles on tangled floorboards,
draw for me a map in the ash and trace
the fragile wires between us
with hot fingers through blue smoke.
Keep those warmths of our forests,
every shade of that stained blanket
of leaves a confidence. Keep those gallons of light,
spill them into mirrors.
This ground is still bare.
water on asphalt.
a crow considers his image
in the rippled black glass.
the saintly downers have
never leaned out from windows so high.
they look down upon hysterical animals
and drawn reflections -
reflections of god or themselves
or each other or of nothing at all -
pinned with beaks and teeth
to the bottoms of transient lakes.
there isn’t a line on you i’d ever change.
perhaps i put you in a box.
perhaps i have wrought too much in your image,
perhaps each cast is warped with failure,
knit with idiot needlebone.
perhaps i have picked my own hands away in them
but there is not a line on you i would ever change.
the breeze was so hairy this afternoon
i didnt see the truck until it was
too late to seem at all attentive.
then my face blew in from the bay.
your trash beats my golden egg.
we were trying to sleep and one of you
went and mentioned hooks at the window
and things and eventually
we haggled the conversation down to ring pops or
pork versus beef.
someone out there is a four year old
and that’s very funny. this neighbourhood
is full of dirtbikes
and it’s nice to have someone else around
who still looks very funny when he runs.
i was keeping pretty good pace,
maybe dragging my foot a little
on account of the hairline fracture
i probably got kicking in my own door.
i’m leafing through lifestyles and
obituaries looking for
typographical errors. nothing
ends up as neat as you’d like
and that’s something to keep
in mind until i go out like
shelley or kinski or the
forty thieves or whoever.
dew settled early in wait for the notyetspring on the panting glass, outside snapped the light and spite cast it wetly through the dustcloud. soon it spread, hung on the stained lips of the lastnight cups. night rolled from the damp ceilingcorners to rest on my worn collar.
whatever it was they called her,
it meant she was crazy.
summer youd see her like clockwork,
dressed always just the same,
packmule-pacing curling street
(all of it)
and stopping every dozenorso lead
steps,stomping her shitkickers,
sad ox eyes tied up behind her as though
someone was following,always
a look on her drawn,
wan face of
hope that it might be the case.
today in the diamond dead of winter,
tractor's jinglebell chains
jolly up the blacktop,
bonedry in the frostbit sun
as it piles snow,
proud as a redfaced child,
precariously close to the
jokes of walls that
almost-enclose me
and slides blind out
into the street at whims
to almost kiss the noses
in the little toytruck
flock.
like clockwork
there she is scarved
stomping her shitkickers
to the centre of her street
and wagging the trucks
through with her empty hands
like herding sheep,
natural as anything.
1 now i am alone.no humors for my starward larking,no moon but the dim swell of its pregnant press against the grayglowing stomach of the sky. i am out in the weather that keeps them from shooting down satellites. 2 now i am sure of the moon, some sharp little part of it glinting from beneath my own infinite shadow. 3 now sheathed in umbral sleep, the cut-dog moon shuts off again.
outside in the flashing snow silently a single ambulance drifts.
sun set on the crane 's waiting neck you photographed brick walls, stillsmiling neon lights, crowds of empty racks and the sunbleached storefronts, the invisible weight that collapses the checkered floors you fell walking back to the museum